[William Moser]

Thanks, I don’t know how I missed those under the video!
As for an example, in the fingering for the pattern 1 mixolydian, instead of playing the 2 on the 5th fret of the fourth string, you could also play it on the open G string. Of course that doesn’t work for playing pattern 1 starting on F, but it would work (fingering fret 1 on string 3) when playing pattern one on starting on F#. I’m not saying it’s a good way to do it – really just wondering if the fingerings you’ve come up with are what you’ve found to be the most efficient in any context, or if you use different fingering variations for the same pattern+mode depending on the chord progression you’re playing

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