- This topic has 19 replies, 8 voices, and was last updated 8 years, 5 months ago by
.
-
Posts
-
Oh, sorry! It wasn’t my intent to start mayhem…
@ Rob — I don’t play it this way, I just drew it the wrong way. I changed it, and realized, that the graphic obviously isn’t embedded in the post, it is linked to my server. So I updated the file and it should be ok now in my first post #3171.
@ James — You’re right! First module has patterns 1, 4 and 5–which is what I am working on. When I was drawing the diagram, I decided to do them all, so I shouldn’t start again later. I made another version showing the position of the intervals 3 and b7, reduced it to patterns 1, 4 and 5 for you:
Robert
James, I think what Robert is referring to is the general concept of Heptatonic Fingerings introduced in Module 1 and not that you have to learn them all now.
Robert MacKillop, I’m not sure I understand what you are referring to…I’m not seeing what you see…unless he corrected it and posted a new diagram…
Just one more thing, Robert. Your fingering for pattern 7 differs from Ritchie’s. He has the upper octave 6th on the second string, while you have it on the third. Just thought I’d better mention it.
Your fingering for pattern 7 differs from Ritchie’s. He has the upper octave 6th on the second string, while you have it on the third. Just thought I’d better mention it.
@ Rob — I shouldn’t have drawn all the shapes before actually learning them. Now I checked all seven fingerings on Richie’s original PDF’s, the diagram in posting #3171 is corrected. Thanks for taking care, Rob! My diagrams are supposed to be helpful — in the first place they are for me. And of course the should show exactly what Richie is teaching.
Robert
- You must be logged in to reply to this topic.