[R T]

Thanks for the clarifications. Yes, I was aware that tritone and secondary dominants are not part of borrowing from the parallel minor keys, sorry for any confusion.

It seems that these three methods of (borrowing from parallel key, secondary dominants and tritone subs) are pretty much the majority of non diatonic chord subs to a progression in all genres. Is that statement true or are there other such standard used devices I am unaware of?

TIA

• This reply was modified 2 years, 9 months ago by R T.

[R T]

Okay, got it, thanks.

[R T]

:et me rephrase that:

Is the general formula this = The UA tone is always any non chord tone that would not naturally fall in natural order of the scale?

In other words :

1 – 2 – 3 (UA can only use 4 or 6 instead of 2)

3-4-5 (UA can only use 6 or 2)

5-6-b7 (Ua can only use 2 or 4)

Is this correct?

[R T]

Hi Richie,

I played along to them with you and the video. But there are so many including the chromatics and enclosures my brain cannot memorize them all and am overwhelmed.

Are the UA just using a chord tone and than instead of going to the next note in line such as 1 – 2 – 3 for a neighboring tone are they always going to a 4 or 6 tone so long as it is larger than a major 3rd?

Thanks for the help,

[Author]

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