[mdhakr]

I meant the use as in Lower NT 3 and b7 which we have, we also have Upper NT 3 and b7 for example (and upper NT 3 and 5)….

[mdhakr]

I get it. I thought we were constrained by the scale pattern of the moment (which happened to be chord tones as you state).
Thanks for explanation, Richie…

[mdhakr]

Another good exercise I’m trying is playing as Descending I/Ascending IV/Descending V and variations thereof.

[mdhakr]

Thanks so much, Richie.

I actually mapped the video out for each of the 19 exercises and have been doing the 1,4,5 for each one. Quite exhausting to keep track and do, so have done about 10 of the 19 exercises a session. I can see how it will be easier to establish a given combination like Lower DT NT 3 and b7 as a unit and then practice in all directions.

[mdhakr]

Hi Richie.
Just a note. there are 19 exercises in the first calisthenics video which include the variations of ascending/descending and upper lower and chromatic NT’s. I was comparing these to the visual summary on page 31 and 1 or 2 are not in both . Is this important?

[mdhakr]

Thanks, Richie. I’ll work on the course in a graduated way not to go crazy, and continue with my other musical life. The two will hopefully merge somewhere along the path…

Jack

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