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Is there any point in trying to play with downstrokes on the beat and upstrokes on the “ands.” This complicates some picking but helps distinguish where the note is played?
My guess is it is best to be able to play beat notes and “and” notes with upstrokes or downstrokes?
Still muddling my way through. Really enjoy the course! Thanks
Hi John,
Glad you are enjoying the course!
My recommendation of playing downbeats with downstrokes and upbeats with upstrokes, is for beginning sightreaders who have a hard time keeping track of where they are on the beat. The initial advice is to try to keep track of them with your foot. However, some players have a hard time synchronizing their foot to what they’re playing in the beginning, so the alternative is to use the alternate strokes of the pick as a guide. This seems to solve the issue for many. Once it becomes second nature, it is easier to get the foot going instead. At that point you can use whatever stroke is convenient anywhere, which is what we all should eventually be doing. So once again, its only a last resort strategy to help you develop an awareness of where you are in the measure when learning how to read rhythms.
Thanks that helps. Just wanted to make sure I am not developing bad habits.
I am only to opus 4 and it is kind of like what you say. Initially, it is easier to figure out the timing using a constant hand motion with downstrokes on the beat. Once I have memorized the tune, that seems no longer necessary.
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